Martìn Becerra
and Guillermo Mastrini, Universidad
Nacional de Quilmes and Universidad de Buenos Aires
In Argentina, as broadcasting
services consolidated in the twentieth century, the private sector gained an
increasingly leading role, and the media generally adopted a commercial,
competitive model, relying for economic support on the proceeds from
advertising. Both radio and television media outlets tended to centralize the
production of their content in Buenos Aires City. For years, open television
demonstrated a strong dependence on US content. However, since the 1990s, an
increased capacity to create national content has been evident, building on the
precedents of the late 1960s. Even the area of prime time fiction on open
television is now packed with national productions. Foreign content continues
to be strong in cable television, with many channels featuring US movies and
series.
Since the return to the
constitutional system in December 1983 following the collapse of the
dictatorship (1976–1983), the media system has undergone four different
processes: first, eradication of direct censorship; second, concentration of
media company ownership in a few large groups; third, technological convergence
(audiovisual, information and telecommunications), and fourth, geographic
centralization of content production (Becerra, 2010).
These processes have combined to
transform the media system, imprinting a single-minded adherence to
profitability as the basis for programming and short-term success. The legal
framework for this transformation was a broadcasting decree-law (No. 22,285)
passed in 1980 during the dictatorship. The regulation underwent subsequent
amendments under most of the constitutional administrations that followed and
this contributed to its progressive deterioration.
In the 1990s, with the promotion of
neoliberal policies under Carlos Menem’s two-term administration (1989–1995 and
1995–1999), the legal framework was revised to enable the establishment of
multimedia groups. Since then, the concentration of media ownership has been an
incessant process. Grupo Clarín is the most prominent communication group in
the country, a one-stop shop gathering the number-one nationwide newspaper
(also a partner of several regional newspapers in the provinces), one of the
main television channels in Buenos Aires and several channels in the interior,
a radio station network, the leading cable television distribution system, and
several cable television signals. The Group is also engaged in other areas
linked with the cultural industries, including a newspaper paper mill (in which
it is a partner of the State), movie production companies, news agencies, and
an Internet service provider. The biggest challenge to the dominant position of
Grupo Clarín is posed by the telephone companies (particularly, Telefónica de
España) which dominate, in the form of a duopoly, the fixed telephony market of
Argentina. They are also the main mobile telephony operators and broadband
Internet providers. Though not compatible with
During the Néstor Kircher
administration (2003–2007), communication policies seemed to follow their
historical pathways and the interests of business groups remained untouched,
however, a significant shift occurred when Néstor Kircher was succeeded by his
wife, Cristina Fernández de Kirchner (from 2007 to 2011). She was re-elected in
2011 with a four-year term until 2015. Almost immediately, an open
confrontation was unleashed between her administration and Grupo Clarín, the
main multimedia group in the country (Kirchner’s predecessor had kept them on
good terms due to their mutual interests). In the midst of this conflict, a new
bill to regulate the audiovisual sector came before the National Congress.
In October 2009, the Congress passed
the Audiovisual Communication Services Law (Ley
de Servicios de Comunicación Audiovisual, LSCA) No. 26,522/09, superseding
decree-law1 No. 22,285 from 1980. The
law represents a bold step forward, as it connects the freedom of expression concept
with that of human rights. It is respectful of the freedom of speech of all
issuers, and in this it stands apart from other controversial chapters in Latin
America, including legislation recently adopted by Venezuela and Ecuador.
The Argentine law promotes
federalism, in both content production and decision-making. It sets limits on
concentration and market domination. And, for the first time in Argentina, both
the regulatory authority and state-run media will not be fully controlled by
the administration in power. This is a sign of positive checks-and-balances,
and advocacy for political minorities, which is in keeping with a progressive
regulatory tradition.
The law admits three types of
audiovisual communication service providers: state-run, private for profit, and
private not-for-profit. Within the state sector, the law recognizes the
importance of university broadcasting. There is a special safeguard to grant licenses
to indigenous communities. One of the most innovative aspects of the law is
that it reserves 33 percent of the telecommunications spectrum for the non-commercial
private sector.
As regards institutional design, the
law introduced the Federal Audiovisual Communication Services Authority (Autoridad Federal de Servicios de
Comunicación Audiovisual, AFSCA), made up of seven members: two of whom are
appointed by the National Executive Power, three by the National Congress (the
law requires that two of these three members be appointed by parliamentary
minorities), and three by the Federal Council on Audiovisual Communication (Consejo Federal de Comunicación Audiovisual,
CFC). The law also introduced the Audience Ombudsman and an Audiovisual and
Childhood Advisory Council.
Another noteworthy chapter is that
the legal restriction on excessive media concentration. In this regard, the
number of licenses that a single company or person may hold is restricted to 10
(in the past, up to 24 were allowed). The potential market share for each owner
should not exceed 35 percent. Restrictions are also applied to cross-ownership
of electronic media in the same coverage area, although print and electronic
crossovers are not included. In fact, a major controversy triggered by the law
was the prohibition on one person or company owning both cable and open TV
distributors in the same region. At the same time, cable distributors may only
own one signal.
Finally, in terms of content, quotas
are established for national production (60 percent), own production (30 percent),
and independent production (10 percent). Additionally, the broadcasting system
has been linked with other cultural industries, in that part of the taxes that
broadcasters pay for the use of the spectrum is transferred by the Federal
Authority to the film and music enterprises.
After enactment of the law, the
government became lukewarm regarding its enforcement. Furthermore, political
groups opposing the government and media companies filed legal complaints
questioning the constitutionality of the law on the grounds that it impaired
freedom of expression. During 2010, the Supreme Court of Justice proclaimed the
constitutionality of the Audiovisual Communication Services Law in its general
aspects. However, the complaint regarding four articles directly associated
with restrictions on media ownership concentration remained in court.
In the meantime, the government
inexplicably delayed the application of the law. It aimed the policies of the
audiovisual sector against Grupo Clarín, instead of promoting the new solutions
enabled by the new legislation. On the one hand, the institutional regulatory
structure of the law was not fully implemented, as the members selected by
parliamentary minorities were only appointed in 2012. On the other, no new bids
were organized for the granting of licenses to the nonprofit commercial sector,
and licenses were awarded only provisionally or through processes that had
started before the law existed. Another obstacle is encountered in the
operation of state-owned media, whose news and editorial line continues to be
linked to government interests. Additionally, the government encouraged,
through a significant mass of official advertising, the emergence of private
media groups aligned with the official information agenda.
Another problematic policy issue is
the implementation process for Terrestrial Digital Television. The process was
the responsibility of the Ministry for Federal Planning, Public Investment and
Services, with hardly any involvement from the regulatory authority (AFSCA). The
digital television deployment process had certain positive aspects including
the handing out of set-top boxes to underprivileged sectors, a strong
investment in infrastructure and a wide national coverage. However, it should
also be noted that in the process licenses were hastily granted on an
experimental basis to private groups aligned with the government. This was done
to comply with the regulatory framework established by the Audiovisual
Communication Services Law (the introduction of bidding processes).
In October
2013, the Supreme Court of Justice issued an opinion declaring the
constitutionality and full enforceability of the Audiovisual Communication
Services Law. The appeal had been filed by Grupo Clarín, on the grounds that
Law No. 26,522/09
imperiled vested property rights and threatened freedom of expression.
Six of
the seven members of the Supreme Court established that the law did not affect
freedom of expression, and a tighter majority of four members declared that the
impairment of economic rights was not unconstitutional in this case.
The
decision of the Court is very significant in that it constitutes jurisprudence
at the highest level concerning freedom of speech. The majority decision
considers that there are two dimensions to freedom of expression: an individual
one, based on the personal right to make ideas public, from which property
rights derive; and a social or collective dimension, which should guarantee to
the entire population the right to exercise its freedom of expression. In a
time when communication media are central, the Supreme Court of Justice has
stated that freedom of expression is inseparable from the potential for disseminating
ideas. From that premise, the legal system applicable to communication media is
expected to safeguard both principles.
The
Supreme Court of Justice did not actually evaluate the quality of the Argentine
Audiovisual Communication Services Law because it indicated that it was the
business of legislators to do so, and said that Law No. 26,522 “is aimed at
favoring competitive and antitrust policies to preserve a fundamental right for
life in democracy that is freedom of expression and information”. In other
words, the Supreme Court analyzes whether the law is balanced and reasonable
based on the legislative will, emphasizing respect for the segregation of
powers.
The decision is based on the need to
promote and guarantee the robustness of public debate, as has been argued by
North American constitutionalist Owen Fiss. For
that reason, the Supreme Court has said that the principle proposed by the
Audiovisual Communication Services Law is the plurality of voices. The State thus
has the right to set the limits to the concentration of media as it deems
necessary (as long as this does not affect the existence of companies in the
sector). One of the key issues in the decision is the distinction made by the
Supreme Court between profitability and sustainability. The Court has stated
that, although the law can impact upon the profitability of companies (it
acknowledges their right to make an economic claim for any losses), there is no
proof that after the process of de-concentration the continuity of companies
will be jeopardized, and therefore their freedom of expression is not
compromised.
In this
manner, the decision recognizes the specificity of the communication sector,
whose diversity must be especially protected, as it is the cornerstone of
democratic society: “unlike other markets, in communication concentration has
social consequences that become evident over the right to information, an
essential asset for individual freedoms”, and adds: “Restrictions of a strictly
economic order are not out of proportion faced with the institutional weight
that the objectives of the law have”.
After the Supreme Court of Justice
validated the constitutionality of the audiovisual law, the regulatory
authority was entitled to carry out reorganization of over 20 media groups that
had exceeded the quantity of permitted licenses. These groups, including Grupo
Clarín, submitted plans that in most cases entailed the distribution of shares
among their majority shareholders. Between December 2013 and March 2014, the
regulatory authority accepted the plans and authorized the inception of
reorganization processes for almost all groups. This time frame will be
extended in 2014 as long as no controversies arise among the State and private
groups in the form of new lawsuits. This could occur if any of the groups
undergoing reorganization regards the state authority as acting outside the law
or arbitrarily exercising its power. In this regard, there are concerns
regarding the capacity of the State to de-aggregate companies in the manner
outlined by the business reorganization plans.
The only group on whose situation
AFSCA has not yet given an opinion is Telefónica. This is the largest
conglomerate in an open television market which, under the audiovisual law,
cannot operate licenses as it is a holding company for the licensees of fixed
telephony services. As regards the pending reorganization of this group, oppositional
political forces have stated that the Argentine government acts asymmetrically,
dispensing preferential treatment to Telefónica compared to the rest of the
conglomerates with concentrated ownership.
These reorganization processes mean
that for the first time ever in Argentina, concentrated media groups are forced
by law to give up licenses and to divide, formally, into economic units, in
order to diminish their presence in the audiovisual sector. However, the
temperament of the government, the regulatory capacity of the Argentine State,
and the power of media groups have combined such that, in many cases, the
reorganization consists of a reengineering that assigns future companies to
existing shareholders. This is especially evident in the interior regions. The
situation has been criticized by civil society players who had entertained a
hope that de-concentration of the media market would open up opportunities for
greater participation and license access for nonprofit organizations. In the
application of the audiovisual law, these organizations have so far been
relegated, even though the law establishes that 33 percent of frequencies
should be reserved for the third sector.
In the case of Grupo Clarín, its
proposal is to de-aggregate into six specialized business units. Thus, one of
the main media groups in Latin America, known for its expansive and
conglomerate style, will tend toward specialization in the midst of
technological convergence. In addition to the units included in the plan, Grupo
Clarín has other media outlets that are not regulated by the audiovisual law,
including newspapers (Clarín, Olé, Muy),
magazines, a news agency, Internet portals and production companies.
Rearrangement in specialized units will be consistent with the strategy designed
in the reorganization plan. This has already started in print media.
Additionally, Grupo Clarīn’s holdings beyond the audiovisual sector would have
a defensive value when faced with potential regulatory changes that might
question the concentration of print and audiovisual media in a single company.
If the division into six units is
implemented, Grupo Clarín will lose profitability, but it may gain the
flexibility to advance the convergence and digitization of the media ecosystem,
providing its journalistic production with more independence, and relief. It
would be the exact opposite of what the Group argued at the hearing with the
Supreme Court of Justice in August 2013, when it linked profitability to
information vitality, on the grounds that news companies needed a high degree
of concentration to handle the operating and innovation costs required by
cultural markets.
The process of reorganization should
be controlled by the Government which, according to the law, has to ensure that
there are no corporate relationships or anti-competitive links among the future
companies within designated groups. If the reorganization process is completed
in compliance with the law, the audiovisual media system of Argentina will have
a larger number of licensees, but they will continue to be big businesses,
though not conglomerate groups of the size that we see today in Clarín or
Telefónica.
Media concentration, jointly with
the centralization of capital and a partial transfer of property to foreign
hands, remain as central features of the Argentine media structure more than
four years after the audiovisual law was enacted. These features, also typical
of other countries in the region, are enhanced through the discretionary use of
public resources by the government in a process designed to reward
submissiveness and punish criticism. These resources are fundamentally
distributed by way of official advertising; though one must also consider tax
exemptions and debt waivers, the extension in the terms of license operations,
and permissiveness towards systems of precarious labor in news companies.
One should not dissociate the
concentration of the audiovisual market, cited in the objectives of the law as
one of the priority reforms to be made, from the economic functioning of a
system whose viability requires regular funding with public resources. These
resources are far from being managed within the fair rules of the game.
Furthermore, the problems in the
application of the Audiovisual Communication Services Law are not limited to
the reorganization of concentrated groups. Media policies which have largely
been subordinated to the political dispute between the government and Grupo
Clarín, neglect key priorities outlined in major underpinnings of the law.
Among other aspects, it is worth highlighting that no significant progress has
been made in the allocation of frequencies to nonprofit organizations. The
mandate of political pluralism ascribed to public media by the law has not been
fulfilled. Public media continue to have a markedly governmental editorial
line.
Additionally, more than four years
after the passing of the audiovisual law, there is no clear knowledge of how
many licenses are available, or which of them are taken by licensees in each
region of Argentine territory. Without a technical plan to survey that
elementary information, no bids can be launched to grant new licenses and
therefore reserve 33 percent of the spectrum for nonprofit organizations. The
lack of a technical plan not only weakens transparency and the management of
audiovisual licenses, it also impairs the allotment of the spectrum for
telecommunications. This sector is insistently pushing for space because of the
shortage of frequencies available for expanding mobile networks (it is argued
that the poor service provided by operators cannot improve unless new
frequencies are granted).
In this state of affairs,
reorganization processes reveal innovation, but exemplify the limitations of
the law and of state capacity (through the Executive, Legislative, and Judicial
branches) to reduce the concentrated property of the media system. The
processes of adaptation concerning Argentine audiovisual law are relevant to
the entire Latin American region, where, through various strategies, attempts
have been made to modify a historically consolidated structure comprised of a
few major groups. The Argentine case so far demonstrates that, in addition to
the importance of laws and regulations, the economic and social configurations
that structure media systems should be recognized.
Consequently, what is at stake is whether legal regulations and political commitment are sufficient to allow the influx of new economic and social players into the media communication domain.
[1] There is jurisprudence in Argentina indicating that the decrees
passed during military administrations are enforceable as legislation since the
return to democracy. This argument was upheld by the Supreme Court of Justice
many years ago in the interest of judicial continuity. For that reason, to
supersede the decree-law enacted by the military, a congressional law was
required; a presidential decree was not enough.
Martín Becerra is Professor at
Universidad Nacional de Quilmes and Universidad de Buenos Aires and an
Independent Researcher at Conicet. He is the author of the book Sociedad de la Información, proyecto,
convergencia, divergencia (2003). Together with Guillermo Mastrini, he
published Periodistas y magnates
(2006), Los dueños de la palabra
(2009), and Los monopolios de la verdad
(2009). With Sebastián Lacunza, he wrote WikiMediaLeaks
(2012) and with Luis Arroyo and ángel García Castillejo, Cajas Mágicas: el renacimiento de la televisión pública en América
Latina (2013).